The Quest for Perfection
My client said a phrase Iโve heard countless times:
โMichael, I really want to perfect my speech.โย
Itโs a mantra repeated by many speakers, even professionals.
The thought process is that if you rehearse enough, your speech will be flawless. Youโll captivate your audience from start to finish.
But the โperfectโ speech is unrealistic. It can also be detrimental to your speaking growth and impact.
The Perfection Paradox And Itโs Costs
Call this the โPerfection Paradox.โ Itโs the belief that the more you strive for a perfect speech, the better your presentation will be. This can lead to problems that undermine your communication effectiveness.
Whatโs the cost of this paradox?
1. No connection with the audience
Every person in your audience has one common traitโeach is flawed and imperfect. So are you. If you look and sound like a perfect individual, listeners will tune you out because youโre not like them, and they will not like that.
2. Itโs not realistic
Think about the most memorable presentations youโve heard. Didnโt they feel like that speaker was talking directly to you?
You canโt achieve this effect if you are focused on perfection. Itโs vital to know your presentation well enough that it flows out of you. But if you memorize every word and movement, you lose spontaneity and authenticity. Your presentations will be less engaging.
3. Poor Performance
The self-imposed pressure to deliver a perfect speech can lead to crippling anxiety. Youโll be caught up in your thoughts and focus on specific words, and wonโt be present. Audiences will sense this, and youโll lose your chance to positively influence them.
4. Loss of Adaptability
Being overly scripted or memorized makes it difficult to adapt to the unexpected. This includes challenging questions, technical glitches, or last-minute adjustments. If people sense you canโt handle challenges while delivering a speech, theyโll think they canโt trust you when youโre under pressure in other situations.
5. Missed Opportunities
When you aim for perfection, youโre less likely to take risks or try new techniques. This limits your growth as a communicator and leader. It damages your reputation and could limit the growth of your career or company.
Popular Solutions and Why They Donโt Work
- Script Memorization: Some speakers believe memorizing their speech word-for-word will ensure a flawless delivery. While this can help with nerves, it often results in a robotic performance that lacks emotional connection with the audience. Also, if you forget a word or sentence in the middle of your speech, your stress levels will spike as you search to get back on script.โ
- Over-rehearsing: The belief is that the more you practice, the better youโll get. Practice is essential, but over-rehearsing can make the speech feel stale and rob it of spontaneity. This makes it difficult to engage the audience.
- Endless Tweaking: Some speakers canโt resist the urge to make last-minute changes, thinking that one more adjustment will make their speech perfect. This usually backfires because when youโre delivering to the audience, you may forget your most recent tweaks. This can cause you to forget the entire presentation, which shoots your stress levels through the roof. It also increases the likelihood youโre going to make more errors during the presentation.
How Aboutย You?
Have you ever aimed for a โperfectโ speech and had it backfire?
What actions did you take that didnโt work?
Are you struggling with the Perfection Paradox?
If so, letโs jump on a short Zoom call to discuss your situation. Weโll explore how you can shift your focus from perfection to connection. This will enable you to become a more confident, influential, and impactful communicator.
To schedule your call, click here.
Let go of the illusion of “perfect” speech. Instead, aim for a presentation thatโs true to you. It will resonate with your audience and deliver value.
Remember, when you communicate, itโs not about perfection; itโs about connection.
Michaelโs mission is to help leaders, managers and sales professionals communicate with more confidence, impact, and influence. This passion is born from his own communication difficulties early in his career.
Fortunately, he discovered that public speaking is like riding a bike, swimming or driving a car - itโs a learnable skill. Once he discovered this โsecretโ he became a voracious student of the craft. He took courses, studied some of the worldโs best speakers and storytellers and continues to study presentation and business storytelling skills.
He is hired by companies and organizations, leaders, managers and sales professionals, and TEDx speakers to help them become more confident, impactful and influential communicators.
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I have to respectfully disagree, Michael – with some of what you say. I think people who say they are afraid of over – rehearsing have never actually rehearsed enough!
As a jazz singer, I love to jam. Everything on stage is new: the lighting, the microphone and especially the pianist, bassist and drummer! It is an exercise in maanging unknown variables. Why can jazz musicians do this? (without making absolute fools of themselves – although, that can definitely happen!)
Because they know the song (theme) INSIDE AND OUT, and the chord progressions, the diverse stylea and which one to apply. Because they have practiced it a million times in many different contexts. The essential is so well-rooted in their subconscious they can manage the variables and add their own style – the one that matches their mood and the context.
That is what we speakers do when we have practiced A LOT. We can jam without losing our cool (or our authoritativeness, or our authenticity!). While the words might change, what are variables that we fix through constant rehearsal? notes and tech management, self control, eye contact, engagement, movement and gestures, perhaps a well-memorized opening and closing.
I believe we need to rehearse past that phase where we look stiff because we haven’t interiorized our message or the content, to a level where we can jam.
Over-rehearse is not a dirty word. It’s where you get OVER the limits of memory and nerves.
(Now, I will NEVER advocate for “perfection” – I agree with you that’s not an achievable or desirable goal for jazz nor speaking ๐
Lisa Marie, thank you for your thoughtful reply. I believe we are on the same page about this.
I agree that we must practice, get feedback, adjust, and repeat the process past the point of rigidity and woodenness. Only when we’ve internalized the flow can we deliver in our natural/conversational style.
My biggest concern, which I may not have been clear about in the post, is the seemingly pervasive obsession with perfection. I’ve worked with too many speakers who are scared to death of making a mistake or forgetting their talks. They’re afraid this will make them look foolish, incompetent, or unprofessional. My point to them is that people don’t expect you to have 100% flawless delivery, perfect articulation, and never a stumble. That’s not real.
History’s greatest speakers had occasional stumbles, minor, misspeaks, or even forgetfulness. Audiences don’t mind as long as you give them a meaningful message, or, in the case of jazz singers, a memorable performance that resonates in their soul long after they hear you sing.
I will never argue with someone who wants to keep practicing, as long as they’re doing so in order to internalize and not memorize so that they become “perfect.” Our humanness comes through when we are real, passionate, and imperfect.